The third
– and perhaps the most popular – track from Love In Tokyo on this blog
was Sayonara Sayonara.
While the word means goodbye, Lata Mangeshkar, who rendered it, did not go anywhere (read: retire), much to the delight of Hindi film music aficionados in general, and her fans in particular.
The film’s soundtrack featured three other Mangeshkar solos – the female version of O Mere Shah-E-Khuban, Mujhe Tum Mil Gaye Humdum and Koi Matwala Aaya Mere Dware.
The track, which the one and only Hasrat Jaipuri penned, was composed by Shankarsingh Raghuvanshi and Jaikishan Dayabhai Panchal.
While the word means goodbye, Lata Mangeshkar, who rendered it, did not go anywhere (read: retire), much to the delight of Hindi film music aficionados in general, and her fans in particular.
The film’s soundtrack featured three other Mangeshkar solos – the female version of O Mere Shah-E-Khuban, Mujhe Tum Mil Gaye Humdum and Koi Matwala Aaya Mere Dware.
The track, which the one and only Hasrat Jaipuri penned, was composed by Shankarsingh Raghuvanshi and Jaikishan Dayabhai Panchal.
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